Beetroot – Diploma Portfolio

The first piece that I painted for the Society of Botanical Artists Distance Learning Diploma Portfolio was of a beetroot. I was first struck by the colours in the leaves when I was at a local farmers market. One of the … Continue reading

Assignment 10 – Working from Photographs

Assignment 10 of the Society of Botanical Artists Distance Learning Diploma was entitled ‘Working from Photographs’. We were supposed to take our own photographs, and create a design in the form of a greetings card or poster. I do incorporate … Continue reading

Assignment 9 – Working in the Field

Assignment 9 of the Society of Botanical Artists Distance Learning Diploma was entitled ‘Working in the Field’. For this assignment we were asked to find a location we liked, any natural habitat, and study, record and illustrate the species that were present. … Continue reading

Cherry Blossom Painting – and my first exhibition!

I recently completed 2 cherry blossom paintings, which I painted specifically for the Society of Floral Painters Oxmarket Exhibition. As much as I am enjoying my paintings for the SBA diploma, I really loved painting something completely different, for the … Continue reading

Assignment 6 – Fruit

Assignment 6 of the Society of Botanical Artist’s Distance Learning Diploma involved painting a fruit of our choosing. I really struggled with my choice of fruit in my head, but as soon as I got out into the farmer’s markerts/farm shops … Continue reading

Assignment 4 – Flower Heads

Assignment 4 was a fun assignment, the first opportunity to use a lot of colour after the first two graphite assignments and then all the greens in Assignment 3. Choosing which flowers to use was really tricky for me. I’m … Continue reading

Assignment 3 – Leaves

I was really excited for Assignment 3, but for various reasons (including finishing my 4th year at University, moving house and county, and welcoming into the world 7 jackapoo puppies) I only had 2 weeks to paint, rather than 2 months. Those 2 weeks were manic, and unfortunately I couldn’t create exactly what I wanted. Here is a short photographic summary of assignment 3.

Composition

For this piece, I really struggled with the composition. A minimum of 8 leaves are required, and I wanted to avoid just plonking down (love that word) 8 leaves on a page. I wasn’t too happy with my final composition, but with time constraints it would do!

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Neither of the above compositions are the final piece. It so happened that the Iris instantly found it’s place as the leaf to plan the composition around. I liked the ivy coming down from the corner as in the righthand photo. In the end I decided to keep each leaf as it grows, i.e. the Acer hanging down as it does from the tree, the ivy climbing across the page, and all the other leaves growing upwards from the ground.

I am told with compositions with multiple specimens such as this, it works best to keep the heavier components a the base of the painting. I kept this in mind, with the hellebore in the bottom right.

Ivy

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Euonymus

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Rosa

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Iris

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Hellebore

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Geranium 

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Acer

 

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Beech

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The Final Piece

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Assignment 1

This afternoon I went to the post office and dropped off my first assignment to be sent to Guy William Eves, a wonderful botanical artist and tutor on the SBA Diploma. It feels incredibly exciting (and intimidating!) knowing that he will be judging my work. He will also be marking Assignment 2.

In my previous posts I have described the outline drawing required for the first part of the assignment, and the stippled lily for the second part, so I will focus this post on the final part.

I chose to draw a hyacinth, and as I got into planning the composition I realised I wanted to include not just the stem and flower head but also the leaves, and also the bulb and the wonderful roots. Inevitably the piece got far too large and intricate for assignment 1… but I managed to get it finished.

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I really liked the composition, and I did enjoy drawing the hyacinth, but I have to say I do find pencils much harder than watercolours (I am dying to reach for my paintbrushes). I struggle with keeping the paper crisp and clean despite all attempts to do so (my drawing board has tracing paper everywhere!)

So below are the final 3 drawings that I sent today, plus a tonal strip and a note to my tutor with a few points, particularly querying the size of my pieces.

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And here they are all ready to be sent!

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This was such an exciting day for me today. Although I’m feeling apprehensive now, I definitely know that I am going to be completely in my element during my year out from my studies. I can’t wait to see what I can come up with for the next assignments.

Now for a breather whist I wait for my feedback before Assignment 2. Perhaps I can start thinking about my subject choice…!

Stippled Lily

For the second part of my first assignment they ask us to use the stippling technique on a flower, stem and leaf. I’ve never stippled before, and after practicing with pencil and pen I decided that pen was much neater, much cleaner and gave a much better result!

For a new technique, I didn’t want to rush straight in to the final piece (something that I am very prone to doing!) I chose to draw a lily for the final stippled piece, so I practiced with a lily also.

Here is my first study, unfinished to show my progress:          (apologies for the poor photographs)

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I shall post the final stippled piece, along with my thoughts as to how it went and tips on stippling, in my next post!

Dried Roses – Composition

Having seven roses to work with, my next challenge has been to think about a composition. There were so many options. My technique  of creating a painting involves drawing the subject, then using tracing paper to create an ink line drawing. This technique is really useful for planning compositions.

The photograph below shows the penultimate composition:Image

I liked the centre rose facing forward, and having a rose on each side looking out the edge of the page. After that, I wanted to show the different aspects and views of the rose heads. The only view missing from the arrangement in the photograph is seeing the rose head directly from behind. I changed the final composition to incorporate this:Image

I knew I wasn’t satisfied with the stems. I think that the stems are one of the most important parts of this composition, I’ll make sure that I focus on these when it comes to putting the whole thing together.

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