Having seven roses to work with, my next challenge has been to think about a composition. There were so many options. My technique of creating a painting involves drawing the subject, then using tracing paper to create an ink line drawing. This technique is really useful for planning compositions.
The photograph below shows the penultimate composition:
I liked the centre rose facing forward, and having a rose on each side looking out the edge of the page. After that, I wanted to show the different aspects and views of the rose heads. The only view missing from the arrangement in the photograph is seeing the rose head directly from behind. I changed the final composition to incorporate this:
I knew I wasn’t satisfied with the stems. I think that the stems are one of the most important parts of this composition, I’ll make sure that I focus on these when it comes to putting the whole thing together.
I have begun a new project, 7 dried roses. I got given this bunch of lovely bright red roses from my boyfriend on returning from Africa (I had been there on a placement for 2 months). They have sat in their vase since August, drying out in the hope of creating an interesting subject!
After my practicing, practicing, practicing with the holly, I knew I wanted to do a full piece (with sufficient still practice of course, but not hours and hours!)
Below is my first attempt at the practice flower. In this case a study was essential, because I really had to look hard at the different colours and textures. The photograph of the rose above doesn’t do the dried petals any favours; the golden glow isn’t visible at all! Infact, when I look closely at the subject there is hardly any of that bright red at all – its amazing how different a photograph can appear!
Next job is to start thinking about a composition, including the other 6 stems!
A nice afternoon’s task, and something I’ve been meaning to do for a while, is create a greens colour chart. I’ve been told that it’s important, helpful, if not essential, for botanical illustration. I’ve been using it already, its stuck permanently on my art board for easy reference.
Note to self: find my camera to take half decent photos to post.
Sat down today for the first time in a long time to do some art. I only had a couple of hours, as I only ever seem to at the moment, long gone is the luxury of having all day dedicated to art. A little sketch of a hydrangea leaf.
I have come home, back to Canterbury, for a nice long weekend. And, with little work to do Medicine wise, it was finally time for me to sit down and paint uninterrupted. I noticed the stunning colours in the Virginia Creeper that’s on my Mum’s drive, and so chose this as my subject. Although drawn by the colours… I have started with a study of an unchanged leaf, just to get to grips with the anatomy and get the feel of my paints again! I’ll keep up updating on both the study, and the final piece when I start!
Oh, and the smudge at the top right corner – the reason this became a study. That’s what happens when you have your paints too close to where you’re working… Accidently lean on paint, then lean on work. The worst feeling in the world, and why I usually ALWAYS lean on tracing paper!
So to update you all on how the assessment day went for the Society of Floral painters… They accepted me, so I am officially a full member! I was very surprised but extremely pleased to get the letter!
They gave me a lot of constructive criticism, but I was grateful for that. I’ve never had my work formally assessed, so it was refreshing to hear how I can improve.
I have finally got my work back from the framers! Let me know your thoughts! So these are the 3 pieces I will be putting into the Society of Floral Painters exhibition in October. I’m getting really excited about it now…It seems like a long way away still and a long time to wait, but hopefully it’ll fly by!
I know only recently I said I would be absent from here, which I am(!), but I have a query, and this community seems like the place where I am most likely to find the answer! I am staying with my Grandmother at the moment in South Africa, and she has just given me a delightful present for my 21st birthday. She has found 4 prints of azaleas by an artist called Win Hooper. She is a Zimbabwean artist, and unfortunately that is all I know and can seem to find out about her! If anyone knows anymore about her then please comment! The only information/photos that I can find are on this website ( http://www.bidorbuy.co.za/item/66479497/Set_of_4_Win_Hooper_Floral_Prints_Zimbabwe_29cm_37_5cm_Just_Lovely.html )
I can upload a photo of my prints eventually but unfortunately not on this computer!
I can’t wait to see if anyone knows more than I do about her! Thank you!